Netflix

Only A Number

{First Published In The Hindu Metroplus}

Indian cinema has long been notorious for its ridiculous gender gap. That fifty plus heroes are paired with heroines who are half their age (or less) even in this day and age is not something that is surprising anymore – in fact, it’s convention. The situation is just as bleak in the west, with Hollywood also afflicted by similar gender parity in both casting and in pay. It’s as if every female actress in the world comes with some kind of expiry date, after which they’re exiled to smaller, less significant roles. While films still have a long way to go, it’s heartening to note that television, or at least recent television has created a space for older female actors. More and more shows with strong women leads who don’t necessarily fit into the cookie-cutter versions of female TV characters (young, beautiful and full of first world problems) have been cropping up the past year.

Take the case of Sarah Jessica Parker. I’ll admit that despite being a huge fan, I was relieved to see the end of Sex And The City. It was painful to watch her as Carrie in the last few seasons, for she had obviously aged but was still being written like a twenty-year-old. In her newest show Divorce, however, she takes on the role of a woman struggling through a dysfunctional, middle-aged marriage. The show works because of its painful honesty, an honesty that wouldn’t have been possible without the caliber of an actress like Sarah Jessica Parker, who doesn’t just play Frances, but becomes her.

Winona Ryder, one of the eighties’ most iconic actresses, made a splash on the smaller screen by wresting all attention in Stranger Things. Her performance as the distraught small town who must make sense of the bizarre happenings that shroud her son’s disappearance made the show for me. Interestingly enough, the other character who stands apart among the varied and diverse cast of the show, is twelve-year-old Millie Bobby Brown. Brown blew me away as ‘Eleven’, a child on whom unspeakable experiments have been conducted on, and is additional proof that when it comes to being a lead, age and gender are mere constructs.

Grace and Frankie rounds off the list of my favourite shows with unconventional and (much) older female leads. This heartwarming comedy about two seventy-year-olds trying to reclaim whatever is left of their lives after their husbands declare their love for each other, resonated with me in ways I never expected it to. Given how sixty plus actresses are usually relegated to two minute roles of crazy grandmother, it’s brilliant to see 78-year-old Jane Fonda and 77-year-old Lily Tomlin light up the screen the way that they do, and have always done.

There are a few more shows that I can list with older and nuanced female leads. There’s How To Get Away With Murder, starring Viola Davis as a powerful lawyer with a turbulent life, and although I’ve stopped watching Empire, there’s really no doubt in my (or anyone else’s) mind that the life of the show is Taraji P Henson in her role as Cookie Lyon. Veep is another example of a series whose success has hinged entirely on Julia Louis-Dreyfuss’ comic talent and timing.

Shows which are brave enough to go all out on a female lead are few, but it is heartening to note that there is a palpable change taking place across the film and television fraternity. One can only hope that more shows with older female leads make it to screen, after all, actresses, like fine wine, only get better as they age.

The 10 Best Shows of 2016

{First Published In The Hindu Metroplus}

There was an avalanche of new content that stormed our television screens during 2016, but some shows stood much taller than the rest. Here are the 10 best shows of 2016, in no particular order –

the crown on netflixThe Crown: The Crown traces the life and times of a young Queen Elizabeth as she struggles to balance the monumental responsibility that has been thrust on her, with her once ‘regular’ life. Claire Foy is stunning in her portrayal as a young woman with an immense burden on her shoulders. The show is visually arresting, tightly scripted and is proof that story-telling is, and always will be superior to big budget special effects. {Netflix}

Westworld: What happens when robots created solely for the purpose of human pleasure discover consciousness? Worse, what happens when they realize the magnitude of the abuse that they’ve been put through? A mind-bending storyline with equally confounding twists and a cast that reads like an honour roll, no show this year is capable of making you stay up at night the way Westworld is. {Hotstar, Star World Premiere HD}

Stranger Things: The eighties are back with this eerie sci-fi mystery that plays like a Stephen King novel brought to life. Stranger Things boasts of not only Winona Ryder (who is flawless as a distraught small town mother trying to make sense of aliens in her backyard), but also the most lovable 10 year olds in recent television history. {Netflix}

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The Night Of: Dark and gripping, The Night Of is, to borrow from the show itself, a subtle beast. Naz Khan, every bit a good Muslim boy, finds himself accused of a gory murder, and it doesn’t help that he has no recollection of events. Riz Ahmed, John Turturro and Bill Camp are fantastic in this courtroom drama that makes no mince of discussing racial prejudice and Islamophobia in the backdrop of the American justice system. {Hotstar, Star World Premiere HD}

The Night Manager: John Le Carre’s riveting espionage novel is brought to life by this lavish BBC production which has some sublime acting performances. Hugh Laurie doesn’t just play, but transforms into Richard ‘The Worst Man In The World’ Roper, a billionaire weapons dealer, and Olivia Colman is brilliant as Angela Burke, the very pregnant and very determined British enforcement agent who’s out to catch him. As for Tom Hiddleston, The Night Manager may as well be the show which cements his place as the next James Bond. {Amazon Prime Video}

Game of Thrones (Season 6): The sixth season of Game of Thrones premiered this year, with each episode having a bigger revelation than the next. With resurrections, family reunions and sweet revenge, the sixth season was probably the fastest moving in terms of storyline after the first, and the final episodes of the season, ‘Battle of the Bastards’ and ‘Winds of Winter’ were television masterpieces. If you’d abandoned the show a few seasons ago, now is the time to catch up. {Hotstar, Star World Premiere HD}

The People vs OJ Simpson – American Crime Story: The miniseries that swept the Emmy’s this year, People vs OJ Simpson resurrects the real courtroom drama of the infamous murder trial that shook ‘90s America. The screenplay is such that it’ll have you on the edge of your seat, even though the events that transpired are now history. {Hotstar, Star World Premiere HD}

Black Mirror: Black Mirror is a compilation of 6 episodes, each narrating a different (horror) story detailing our relationships, and growing reliance on technology. Whether it’s the story of killer robotic bees or a future where your worth is measured in ‘likes’, Black Mirror will have you looking at your phones very differently. {Netflix}

Better Call Saul (Season 2): Better Call Saul might only be two seasons old, but the spin-off has already outdone its much celebrated original, Breaking Bad. The series about a small time lawyer’s path to becoming an ace con-man has excellent story-telling, sharp dialogue, terrific acting, and is one of the best shows on TV right now. {Colors Infinity}

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The Americans (Season 4): The thriller series about two Russian spies living average American lives during the peak of the Cold War only got better this year. Keri Russell and Matthew Rhys give extraordinary performances, yet again, as the show dives even deeper into the complex themes of identity, patriotism and family, with a few wigs thrown in. {Hotstar, Star World Premiere HD}

 

You can read the round up of my favourites from 2015, here.

For Children Of All Ages

{First Published In The Hindu Metroplus}

If you’ve followed, or are a fan of Guillermo Del Toro’s work as a film director, you’d be well aware of his bent for the fantastic and the impossible. He is the man who brought Hellboy to life, and gave us the monster fest that was Pacific Rim. Naturally, news of his collaboration with Dreamworks Animation and Netflix to produce an animated series was one that caused quite a stir. The result of this collaboration, Trollhunters, premiered on Netflix this Friday.

Trollhunters takes on the story of a 15-year-old boy, Jim (Anton Yelchin, who unfortunately, passed away this year), who is chosen by a magical amulet to become the Trollhunter – a hero who must protect both good trolls and mankind from evil trolls. Jim is helped in his mission by his best friend Toby (Charlie Saxton), and Blinky (Kelsey Grammer), a good troll who takes it upon himself to train Jim in the ways of the Trollhunter. Jim must now train, and defeat the evil troll Bular (Ron Perlman) who will stop at nothing to destroy the amulet and claim both worlds.

The series has twenty-six episodes in total, and they’re fairly short, with each clocking not more than twenty-five minutes, making them the perfect little work break, or the perfect binge, depending on how you watch Netflix shows.

It must be said though, that there is nothing in Trollhunters that’s particularly groundbreaking by way of story or characters, which is disappointing considering that someone with the caliber and whimsy of Del Toro is directing it. Trollhunters just has all the usual Dreamworks tropes – the underdog who is suddenly thrust with a hero’s responsibility, the sidekick who also provides comic relief, the adolescent love interest, adorable creatures and a fierce villain, who are all put together with the stunning animation that has become Dreamworks’ signature. The troll worlds are beautifully constructed with meticulous attention to detail, and the Man vs. Troll fights are impressively choreographed. The dialogue is fast and has plenty of humour, again, something that’s become standard with anything that Dreamworks produces. Occasionally, there are moments that stand out, like Jim’s interest in cooking and baking, and the way he takes care of his overworked mother, but there is nothing that particularly makes you go whoa, I’ve never seen this before – especially when you’ve watched How To Train Your Dragon, which is very similar in terms of storyline and characters.

That isn’t to say that the show is not fun, though – it’s immensely enjoyable to watch. In a time when television is getting darker and edgier, Trollhunters’ simplicity is actually its selling point. It’s light, visually arresting, clean, and possesses neither the pandering that kids’ shows today are in excess of, nor the risqué jokes that adult animation shows are infamous for. Trollhunters is a show for children, yes, but of all ages.

{Trollhunters is presently streaming on Netflix}

A Year In The Life

{First Published In The Hindu Metroplus}

The Gilmore Girls premiered in the year 2000, bringing to life the story of a young single mother, Lorelai Gilmore (Lauren Graham) and her teenaged daughter Rory (Alexis Bledel) in the fictional American town of Stars Hollow. Lorelai and Rory’s special and unconventional mother-daughter relationship, along with the witty banter that became the show’s signature, captured the imagination of millions before the series came to a close in the year 2007. The Gilmore Girls’ relatable themes of friendship, romance and family, its cast of memorable characters, and the way the show used dialogue to guide the story line made it an instant classic.

The show’s ending in 2007 though, was not one that was received well by fans, and with good reason. Instead of tying the 6 season old storyline together, the ending only brought on more questions and what-ifs. This botched finale was attributed to the absence of the show’s original creators, Amy Sherman and Daniel Palladino, because of network and channel politics. After years of more what-ifs and rumours of a Gilmore Girls movie, the original creators along with the internet streaming giant and series-factory Netflix are bringing the Gilmores back with ‘Gilmore Girls: A Year In The Life’, which has released right on time for this weekend.

I’ll confess here that I’m an unabashed Gilmore Girls fan – I used to catch the occasional re-runs on television, but ever since it surfaced on Netflix, I’ve constantly turned to the show and copious amounts of ice cream to put a good end to bad days. I’m not one to be excited by revivals (remember how Fuller House turned out?), but given that the show’s original creators are the ones behind the revival, I am hopeful.

A Year In The Life, thankfully, isn’t a new series. It’s a feature with four episodes, each about ninety minutes long and named after the four seasons. The show picks the story up in present day to tell us what’s been happening with the Gilmores, nine years later. Richard Gilmore (Edward Herrmann, who died in 2014), the patriarch of the Gilmore clan, has passed, creating fresh strains on the already delicate relationship between Lorelai and her mother, Emily (Kelly Bishop). Rory decides to return to Stars Hollow as well, to take the time to find herself, for her once promising journalism career still has her searching for success. The rest of the town continues to be in its comfortable little bubble, far removed from the happenings of the real world – the Dragonfly Inn still has sarcastic Frenchman Michel (Yanic Truesdale) running its phones, Rory’s exes are still around, and Lorelai’s partner-of-many-years-now, Luke, is still sermonizing his customers.

That isn’t to say, however, that the show isn’t aware of the time period it’s in, and what it is – the pop culture references which the characters have always been throwing around, have been updated to feature Amy Schumer and Game of Thrones, and more importantly, Rory, Lorelai and Emily, are all made to feel their age.

Gilmore Girls: A Year In The Life isn’t a revival that requires prior knowledge of seven seasons to enjoy. All you need is a love for free flowing repartee and the acquired taste for small town oddities, like the fact that there’s only one café in the whole town and everyone knows everything about everybody. You might even find yourself going back to the original, and generally losing all track of time. If you’re a Gilmore Girls fan though, get the pizza ready – it’s going to be a good weekend.

{Gilmore Girls: A Year In The Life is now streaming on Netflix}

The Political Game

{First Published in The Hindu Metroplus}

The past week has been eventful, with two announcements that had us glued to our television sets, the first being the demonetization of the Rs. 500/- and Rs. 1,000/- notes, and the second being the majority of America’s public voting in Donald Trump to be the President of the United States, and the most powerful man in the free world.

Both were surprises, bombs, even, that were dropped on an unsuspecting public, leading to shock, awe and panic. Both these decisions, I am sure, also involved tense newsrooms and action behind the scenes – the kind that directors and writers try so hard to bring to life on screen. It’s hard to imagine exactly what could have happened in the halls of our Prime Minister’s office given the superficial, almost comical ways that high stakes Indian political scenarios are played out in our films and television. However, it is possible to visualize the amount of work, the tension and the nerves that took over political offices in the United States on Wednesday morning, thanks to the abundance of excellent film and television shows that give us an intimate look into the workings of their system.

The most comprehensive show when it comes to American politics, is undoubtedly, The West Wing. The show ran from 1999 to 2006, a true television classic, and is perhaps the prime reason behind Aaron Sorkin’s iconic status as a screenwriter today. The West Wing explores the trials and tribulations of the senior staff at the White House as they attempt to run the most powerful country in the world, while balancing a no-nonsense President who couldn’t care less about being liked and the ground realities at Washington. It’s fast paced, full of quotable lines, an enormous amount of fun to watch, and most importantly, an education in American politics.

Although the The West Wing is the first show that comes to mind (my mind, at the least) at the mention of American politics, it is a decade old now, and runs the risk of being ever so slightly irrelevant.

Many consider its successor to be the Netflix original (and smash hit), House of Cards. It must be said though, that House of Cards is practically a fantasy show in comparison to The West Wing. House of Cards traces the ambitions of Frank Underwood, a Congressman, and his wife, Claire, as they go on a no-holds-barred spree to do whatever it takes to get to the top. House of Cards is just as well written and snappy as The West Wing, but is also extraordinarily exaggerated. The West Wing’s pull lay in its realism. There are plenty of moments in House of Cards where you can’t help but wonder how absurd the scenarios are. Having said that, Donald Trump is America’s President-Elect, so I’m starting to question myself about the show’s farfetchedness.

Finally, it is hard to ignore Veep, the HBO production starring multiple Emmy award winner, Julia-Louis Dreyfus. Veep narrates the story of Selina Meyer, a former US Senator who becomes the Vice President after a failed campaign, and is constantly relegated to matters of unimportance. Veep is entertaining, witty as hell and sharply written. It is unfortunate though, that the one show which is focused on chronicling a woman’s effort to get to the top seat has to be classified as a comedy.

{The West Wing is on FX, Veep is on Star World Premiere HD, and House of Cards is on Netflix}

The Great Escape

{First Published In The Hindu Metroplus}

The American elections are on Monday, and from what I read in the newspapers, it seems like Donald Trump has a legitimate chance at becoming President of the United States of America, and perhaps the most important leader in the free world. As if that’s not depressing enough, NASA has just released a video which shows how the Arctic ice-caps are on the verge of disappearing altogether, putting a greater question mark over life as we know it. During times like these, you can’t help but wish you were in a different planet altogether. While that’s an impossible task (at least at the moment), I can give you the next best thing: Immersive, critically acclaimed television shows that will pull you into another world, even if it is only for a weekend.

Game of Thrones – The most obvious choice if you’re looking to spend the weekend doing nothing but staying glued to your screen. Game of Thrones, apart from being one of the most talked about shows in the world, is an engrossing fantasy series that takes place in the medieval world of Westeros. If you like the ideas of becoming familiar with evil queens, men who rise from the dead, and giant fire breathing CGI dragons, this is the show for you. {Game of Thrones is available to stream on HotStar, and the sixth season is presently telecast on Star World Premiere HD}

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Westworld – If you’re more of a forward looking person, then you should try Westworld, which is based in the future. Westworld is about a futuristic theme park that is inhabited by very realistic robots. Inspired by the novel written by Michael Crichton and directed by Jonathan Nolan, Westworld’s premise lies in the very uncomfortable thought of artificial intelligence becoming so human-like, that they begin threatening our very existence. The visuals are stunning, and the show is technically brilliant, but the real success of the show are the questions of morality that form its core.
{Westworld is available to stream on HotStar, and the sixth season is presently telecast on Star World Premiere HD}

Stranger Things – Stranger Things, technically, doesn’t take place in another world – the story is based in a sleepy, small American town in the ‘80s. The story revolves around four children whose friend suddenly goes missing after a night of board games. The more they try to investigate into the disappearance, the more they realize that something mysterious and terrifying is taking place in their town. Stranger Things is a must watch if you enjoy Stephen King novels or are generally nostalgic about the good old days when kids had to ride their cycles everywhere and played board games instead of playstations.
{Stranger Things is presently streaming on Netflix}

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The Americans – The Americans is another show that takes on the 80s, albeit in a completely different light, for its focus is on the Cold War between Russia and America. The show traces the life and times of Elizabeth and Phillip Jennings who are a wholesome suburban couple by day, but Russian KGB agents by night. It’s incredibly fascinating to watch, and that isn’t just because of the wigs, elaborate disguises and 80s spy equipment. The Americans is one of those rare shows which will twist perspectives, make you root for the apparent bad guys, and question your own moral compass.
{The Americans is presently telecast on Star World HD}

Ugly Reflections

{First Published in The Hindu Metroplus}

Black Mirror isn’t a television series as much as it is an anthology. The episodes are independent stories, so there’s no requirement of watching them in order. They are, however, tied together by the common theme of technology, and the consequences of technology. The first and second season which was written for and broadcast by UK’s Channel 4, released in 2011 and 2013 respectively, with three hour long episodes each. The third season, produced by Netflix, released on the 24th of this month, with six episodes – six different, terrifying stories of how our dependent relationships with technology could alter our lives, and the world.

Each episode takes on a different genre – the first episode, Nosedive, is an excellent satire based on our fixation with social media and is set in a pastel coloured, alternate future (or near future, depending on how you look at it). In this world, every social interaction, whether it’s getting into a cab or buying coffee, involves you being rated out of 5, which in turn shapes your rating as a person. Permanently cheerful and ridiculously good-looking 4.5s get treated with extra care, gain access to privileged spaces, and can claim their world as their oyster. The lesser ranked 3.5s and below – the ones who speak unpleasantly, the ones who don’t care for appearances, are categorized as low lives who for whom facilities are shut off. Nosedive narrates the story of a young woman who gives all she has into climbing up the ratings ladder so that she can move into a plush housing colony.

The second episode, Playtest, tells the story of a somewhat dull American traveler who agrees to test out a virtual reality game for quick money. It’s a fun episode to watch, but is among the weaker episodes in the anthology, with too many predictable, cheesy horror movie tropes and a rather ineffective twist in the end. The similarly themed fifth episode, Men Against Fire, which deals with augmented reality and tells the story of trigger happy soldiers whose brains are implanted with chips that make them see deformed zombies instead of human enemies, isn’t the most impressive either. While the moral lesson is necessary, the episode feels bloated, and doesn’t connect.

The third (Shut Up And Dance) and the sixth (Hated In The Nation) episodes are the standouts of the season. Hated In The Nation combines online bullying with drone technology with a classic whodunit police investigation, resulting the most riveting and well taken 90 minutes of television that you’d have seen in a while. Shut Up And Dance is an especially disturbing story of how a 19 year old, soft-spoken waiter in a café, and a married 40 year old are forced to come together as an unlikely tag team who have to complete terrible tasks when a mysterious hacker gets hold of the secrets of their computers and threatens to leak it to the world. It is poignant, gripping, upsetting and has an ending that lingers long after the episode finishes.

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I thought the fourth episode was too eh-meh to write about, so here’s a photo.

Black Mirror, as a series can be especially bizarre when you’re watching it for the first time, and this third season hasn’t been consistent with the quality of its episodes. However, if you’re even slightly fascinated by the impact that technology has on our lives, Black Mirror is a series you don’t want to miss.

{The first three seasons of Black Mirror are currently streaming on Netflix}

 

Royal Pains

{First Published In The Hindu Metroplus}

The lives of the British Monarchy have been the subject of endless fascination for generations. One would think they’ve no relevance given the times we live in, but the celebrity treatment of the Royals, which began with Princess Diana, has well and truly exploded today. Forget Prince William and the Duchess, Kate Middleton – even their children, Prince George and Princess Charlotte, are not spared from the constant public scrutiny of not just their behavior, but even their outfits. You’ve got to hand it to the Royals though, their public appearances are always so put together, so polished, so perfect, but the inner workings of their family are kept tantalizingly private. Occasionally a scandal breaks out, but the finer details are buried deep and stowed away, far, far away from the rest of us. Consequently, there’s a Royal rumour mill that never loses steam, and a slew of ‘inspired’ films and television series that try to offer some perspective on their lives.

the crown on netflix

The latest, and perhaps the most promising endeavor in this regard, is Netflix’s newest drama series, The Crown. What makes this series special, isn’t that it’s Netflix’s most expensive production yet (they seem to be topping their previous record for spending every three months now), or even that it is written by Peter Morgan, who was also the writer behind the 2006 film starring Dame Helen Mirren, The Queen, as well as Frost/Nixon. The Crown is special because, for the first time, the Royals seem to have approved of the show- Peter Morgan had revealed at a Press Conference that they were ‘very, very, aware’ of it, and that it might not be too long before Netflix manages to get the Queen’s opinion of it.

The Crown is a drama that seeks to explore the reign of Queen Elizabeth II, and the first season, which comprises ten episodes and releases in a few weeks, begins at the very beginning. The year is 1947, the second World War has just about come to an end, Winston Churchill (John Lithgow) has been re-elected as Prime Minister, and Princess Elizabeth (Claire Foy) is getting married to Prince Philip (Matt Smith). In the middle of all this, King George VI (Jared Harris) is ailing – he is frequently coughing blood, which his faithful attenders dismiss as a symptom of “the cold”. It isn’t long before he discovers that it isn’t the cold, but cancer, and realizes that he must do all he can, while he can, to prepare his barely 25 years old daughter for the throne. The Crown explores the impact that the adherence to duty, to royal duty, has over family and relationships, and the immense burden that is placed on a young woman’s shoulders.

Claire Foy plays young Queen Elizabeth, which is interesting because this series would be the second time she’s playing an important English queen on television – she was spectacular as Anne Boleyn in Wolf Hall, and her performance in The Crown doesn’t seem any different. Matt Smith is also wonderful as Prince Philip, a man who is caught between the boundless love he has for his young wife, and hating the monarch that she must become.

The Crown is the story of a Princess who became Queen, but make no mistake – it isn’t a fairytale.

{The Crown releases on Netflix on November 4th}

Diet Coke

{First Published in The Hindu Metroplus}

There was a point in time while watching Narcos, when I had to pause and look up the events that were being played out on screen, just to see if they had actually happened for it all seemed so incredulous and unbelievable. Did Colombia really go through such a prolonged period of drug related violence? And did all the devastation really root from one man’s crazed ambition?

Narcos resurrects the life and times of Pablo Escobar, the Colombian drug lord whose business and political aspirations led to government unrest, assassinations, and overwhelming violence across the country, which lasted for most than a decade. Pablo Escobar (Wagner Moura) is a smuggler from Colombia, who knows his way around the local officials who are impediments to his business. Each time he’s confronted, he gives them a choice – Plata (silver) or Plomo (lead, referring to the bullets in his gun), and the fear he invokes, coupled with the economic situation in Colombia, ensures that the officials’ choice is almost always Plata. It isn’t long before he controls certain transport routes in the country. Around the same time, Mateo “Cockroach” Moreno (Luis Gnecco), a chemist whose specialty is the manufacture of cocaine, comes into his acquaintance.

Cockroach wants Pablo’s help to sell coke in Colombia, but Pablo, the visionary, decides to take the business to the United States. The initial smuggling of coke which happens through blazers with hidden pockets, expands into one that requires shipments delivered through private planes, and before he knows what’s happening, Pablo finds himself with so much money that he has to bury it in fields, and even starts distributing it to the poor. Pablo also takes the initiative to form the Medellin cartel, consisting two other important players in the drug business – the Ochoa family, and Gonzalo “The Mexican” Gacha (Luis Guzman), for it is important to keep one’s friends close, but even more important to keep your enemies closer.

Pablo’s ascent has him believing that he can do anything, he can be anything, including the President of Colombia. His cousin and closest friend, Gustavo (Juan Pablo Raba) warns him that his political dreams are bad for the business, but Pablo is beyond reason. He positions himself as a philanthropist with a dream for Colombia, but his history catches up with him, and he’s shamed out of parliament for being a drug dealer. The humiliation is too much for Pablo, and he unleashes a brutal war on the streets, bringing Colombia to its knees, and giving the government no choice but to support extradition of convicted drug lords to the United States, and empowering the American Drug Enforcement Administration (DEA) in Colombia.

Although history will serve as a spoiler to how Pablo’s life eventually turned out, the show’s execution is flawless. It’s thrilling, it’s got a great deal of black humour, and it’s impossible to stop with watching only one episode. The screenplay explores the lives of both the drug lords, as well as the men and women on the other side. Wagner Moura’s portrayal of both Pablo, the ruthless drug lord, as well as Pablo, the gentle family man, is impeccable. Although the narration isn’t one-sided, the show has a narrator in the DEA Agent, Steve Murphy (Boyd Holbrook), who has been brought into Colombia to help the American government tackle the drug menace. Steve Murphy, and his partner, Javier Pena (the extraordinarily handsome Pedro Pascal), along with the Colombian General, Horacio Carillo (Maurice Compte) are crucial players in the fall of Pablo Escobar. It’s interesting to know that the real Steve Murphy and Javier Pena, who’ve long retired from their Narco hunting days, were hired as consultants to show to ensure that the series is true to the real chronology of events. Season one of Narcos explores the first decade of Pablo Escobar’s reign, and the newly released, and just as brilliant second season, takes on the three years that Pablo spends in hiding. The show is as addictive, and possibly as pleasurable as the drug that forms the core of its story. You’ve been warned.

{Seasons one and two of Narcos are currently streaming on Netflix}

Two Dimensional Entertainment

{First Published in The Hindu Metroplus}

Among the more significant trappings of the generation I belong to, is our continuous refusal to grow up, the way our parents’ generation did. We seem to be in no hurry to settle down, we’re still trying to figure out what we want from our careers, what we want from our relationships, and we’re still watching cartoons – yes, they’re cartoons that are meant for adults, but if ‘adult cartoons’ isn’t an oxymoronic term, then I don’t know what is. While I don’t have great insight into providing a solution for the state of mind that plagues many young people today, I can tell you which of the adult cartoons are the best ones on screen at the moment.

Rick and Morty: Morty is your very average twelve year old, who lives in suburban America with his parents, his sister, and his very old, very crazy, super scientist grandfather, Rick. Rick insists on taking Morty along on all his misadventures across alternate realms and realities. The humour in the show is a very original blend of slapstick and wit, and there’s so much action in each episode that you never get bored. The plot lines are over the top, which adds to the wildness of the show, but no character feels unnecessary or like a waste of time because they all have such interesting personalities, even if they are going to be on screen for just a few minutes. Rick and Morty was made for binge-watching, and is well worth a weekend of staying in to catch up on the show.

{Season 1 of Rick and Morty is currently streaming on Netflix}

rickmorty

BoJack Horseman: BoJack Horseman might be animated, but the themes that it picks up on, such as the after effects of fame, self-loathing, complicated relationships, hedonism, at times even Nihilism, are far from two dimensional. The characters are all very well thought out, and may seem like stereotypical caricatures at the start, but display great nuance as the show progresses. It gets a little difficult from time to time to spot the really funny moments, but the writing is such that the happenings on screen feel like you’re spending time with these characters as opposed to watching a story unfold. And by the way, this show is about a once-famous talking horse in Hollywood whose arch nemesis is a labrador that goes by the name of Mr.Peanutbutter.

{Seasons 1 to 3 of BoJack Horseman is currently streaming on Netflix}

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Family Guy: Family Guy is a brilliantly absurd comedy about a dysfunctional town near Rhode Island and its even more dysfunctional residents. I used to watch Family Guy religiously on television but for reasons I can’t remember now, stopped doing so for a few years. I got back to show a few months ago, however, when they released their first India themed episode, called “Road to India”. The India episode, in true Family Guy style, was offensive and politically incorrect in every manner, causing outrage across a lot of internet media outlets about how ‘insensitive’ it was. Insensitivity, however, is the core theme of the show. Family Guy rips into every establishment there ever has been and discusses it without any sense of propriety, discretion or consequence. What I love about Family Guy is that it doesn’t discriminate in its selection of themes (or targets, depending on how you look at it), and it’s quite interesting to see people who may have enjoyed the takedown of one particular belief or community, take offence when the same treatment is doled out to their own beliefs or communities. Family Guy truly is the pinnacle of adult animation, for if you can’t be an adult about watching it, there’s very little chance you’ll enjoy it. {

Family Guy is currently being telecast on Star World Premiere HD}

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