Better Call Saul

The 10 Best Shows of 2016

{First Published In The Hindu Metroplus}

There was an avalanche of new content that stormed our television screens during 2016, but some shows stood much taller than the rest. Here are the 10 best shows of 2016, in no particular order –

the crown on netflixThe Crown: The Crown traces the life and times of a young Queen Elizabeth as she struggles to balance the monumental responsibility that has been thrust on her, with her once ‘regular’ life. Claire Foy is stunning in her portrayal as a young woman with an immense burden on her shoulders. The show is visually arresting, tightly scripted and is proof that story-telling is, and always will be superior to big budget special effects. {Netflix}

Westworld: What happens when robots created solely for the purpose of human pleasure discover consciousness? Worse, what happens when they realize the magnitude of the abuse that they’ve been put through? A mind-bending storyline with equally confounding twists and a cast that reads like an honour roll, no show this year is capable of making you stay up at night the way Westworld is. {Hotstar, Star World Premiere HD}

Stranger Things: The eighties are back with this eerie sci-fi mystery that plays like a Stephen King novel brought to life. Stranger Things boasts of not only Winona Ryder (who is flawless as a distraught small town mother trying to make sense of aliens in her backyard), but also the most lovable 10 year olds in recent television history. {Netflix}

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The Night Of: Dark and gripping, The Night Of is, to borrow from the show itself, a subtle beast. Naz Khan, every bit a good Muslim boy, finds himself accused of a gory murder, and it doesn’t help that he has no recollection of events. Riz Ahmed, John Turturro and Bill Camp are fantastic in this courtroom drama that makes no mince of discussing racial prejudice and Islamophobia in the backdrop of the American justice system. {Hotstar, Star World Premiere HD}

The Night Manager: John Le Carre’s riveting espionage novel is brought to life by this lavish BBC production which has some sublime acting performances. Hugh Laurie doesn’t just play, but transforms into Richard ‘The Worst Man In The World’ Roper, a billionaire weapons dealer, and Olivia Colman is brilliant as Angela Burke, the very pregnant and very determined British enforcement agent who’s out to catch him. As for Tom Hiddleston, The Night Manager may as well be the show which cements his place as the next James Bond. {Amazon Prime Video}

Game of Thrones (Season 6): The sixth season of Game of Thrones premiered this year, with each episode having a bigger revelation than the next. With resurrections, family reunions and sweet revenge, the sixth season was probably the fastest moving in terms of storyline after the first, and the final episodes of the season, ‘Battle of the Bastards’ and ‘Winds of Winter’ were television masterpieces. If you’d abandoned the show a few seasons ago, now is the time to catch up. {Hotstar, Star World Premiere HD}

The People vs OJ Simpson – American Crime Story: The miniseries that swept the Emmy’s this year, People vs OJ Simpson resurrects the real courtroom drama of the infamous murder trial that shook ‘90s America. The screenplay is such that it’ll have you on the edge of your seat, even though the events that transpired are now history. {Hotstar, Star World Premiere HD}

Black Mirror: Black Mirror is a compilation of 6 episodes, each narrating a different (horror) story detailing our relationships, and growing reliance on technology. Whether it’s the story of killer robotic bees or a future where your worth is measured in ‘likes’, Black Mirror will have you looking at your phones very differently. {Netflix}

Better Call Saul (Season 2): Better Call Saul might only be two seasons old, but the spin-off has already outdone its much celebrated original, Breaking Bad. The series about a small time lawyer’s path to becoming an ace con-man has excellent story-telling, sharp dialogue, terrific acting, and is one of the best shows on TV right now. {Colors Infinity}

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The Americans (Season 4): The thriller series about two Russian spies living average American lives during the peak of the Cold War only got better this year. Keri Russell and Matthew Rhys give extraordinary performances, yet again, as the show dives even deeper into the complex themes of identity, patriotism and family, with a few wigs thrown in. {Hotstar, Star World Premiere HD}

 

You can read the round up of my favourites from 2015, here.

The Guessing Game

{First Published in The Hindu Metroplus}

I suppose the easiest way of explaining the Emmy awards is to say that they’re like the Oscars, but for Television. There is a Television Academy in Los Angeles, similar to the Motion Picture Academy, which honours the best of Prime Time Television. The awards are determined in an identical manner as well, through peer voting. The Emmy awards differ from the Oscars however, in the manner in which the votes are cast. Unlike the Oscars, where every voting member of the Motion Picture Academy (which is roughly about six thousand member strong) gets to vote in all the categories, the members of the Television Academy are split into groups based on the expertise. So in essence, actors vote for acting categories, writers for writing categories and so on, automatically making the voter group smaller, and the awards, very competitive. As if that’s not hard enough, the quality of television these days ensures that the difference between an Emmy and second place would have only been the barest of margins.

The nominations this year have been mostly predictable, like Game of Thrones finding itself nominated in a whopping twenty three categories, but with a few surprises, like Aziz Ansari being nominated in the Outstanding Lead Actor in a Comedy Series category, as well as his show Master of None, being nominated for the Outstanding Comedy Series. If Aziz Ansari wins, he will be the first of South Asian descent to win an Emmy in the lead comedy actor category (he’s the first to even be nominated), but faces stiff competition with the likes of Jeffrey Tambor (who plays a woman, Maura Pfefferman, in Transparent) and Thomas Middleditch (Silicon Valley) also vying for the honour.

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The Night Manager found itself in the honours list as well, with the show being nominated for Outstanding Limited Series, and its leads, Tom Hiddleston, Hugh Laurie and Olivia Colman nominated for acting honours. It’s hard to say if they’d win though, because non-Americans haven’t really had the greatest runs in the Emmys, and also because People vs OJ Simpson: American Crime Story is in the same category. People vs OJ Simpson scored twenty two nominations, making it second only to Game of Thrones with respect to the volume of nominations, so while I have a great deal of love for The Night Manager, I won’t be putting my money on them.

This year also saw The Americans finally being given the nominations it deserved after three years of being in the Emmy snub list. The show has been nominated for Outstanding Drama, and the leads, Keri Russell and Matthew Rhys have both been nominated for the Outstanding Lead Actress and Actor in a Drama Series categories. Keri Russell is up against some stiff competition with Viola Davis (How To Get Away With Murder), Taraji P Henson (Empire) and Robin Wright (House of Cards), and so is Matthew Rhys, who is competing with the likes of Kevin Spacey (House of Cards), Bob Odenkirk (Better Call Saul) and Rami Malek (Mr. Robot).

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I hope The Americans win an award this year, not because the performances and writing were better than that of their fellow nominees’ (I mean, did you take a look at that list? They’re all impeccable), but because The Americans deals with a subject matter that is complicated, and uncomfortable – it makes you empathise with your enemies, and turns your perceptions of the bad guy on its head. It is intense, for me, has taken over the spot which was filled by Better Call Saul as the best drama series on television at the moment. So could this be the year of the Emmy underdogs? Or will it be just another year where the rest of us television nuts wax lyrical about our deserving, off-beat favourites, but Game of Thrones and House of Cards split all the awards between themselves?
Probably the latter.

2015 in Television

{First Published in The Hindu Metroplus}

It’s time for us to welcome the new year with family, friends, celebrations, and of course, somewhat pointless lists. So without further ado, here are my TV favourites from 2015 (in no particular order):

  • Empire – Empire is a musical soap opera about a Hip Hop mogul, and the lengths he’ll go to stay on top. It’s the television equivalent of the pizzas that have cheese stuffed in the crusts, the kind which oozes yellow, processed glory, on to your fingers. Yes it’s disgustingly over the top, and you can’t really tell people how much you enjoy it, although you know that they’d enjoy it just as much as you do when they eat it, I mean, watch it. {FX India}

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  • Better Call Saul – Better Call Saul was my favourite show this year. Yes, it’s a spin off of Breaking Bad, and there are plenty of recurring characters, but surprisingly, it has an entirely unique tone, and while one is occasionally reminded of Breaking Bad, Better Call Saul stands on its own. {Colors Infinity}

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  • Wolf Hall – Wolf Hall is a literary mini series which was produced by the BBC. The cast and screenplay is splendid, and Hilary Mantel’s masterpiece comes alive over the course of 6, hour long episodes. I do hope that more show makers take the hint from Wolf Hall and make more mini series from literary classics – that way I don’t have to pretend like I’ve read them anymore.

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  • Game of Thrones – Dragons! Kings! Betrayals! Dragons! Death! Snow! Did I mention Dragons? The fifth season of the epic fantasy story came to an end this year, with a finale that shook the world, or at least, broke the internet. Game of Thrones is the show whose return I’m most looking forward to in 2016. {HBO}

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  • Daredevil – While I enjoyed both The Flash and Arrow, Daredevil takes the super hero genre of television to a whole new level, the way Nolan’s The Dark Knight changed the game for films. Netflix has come out with a winner, yet again, and there is no doubt that Daredevil is the benchmark for super hero television shows to come.

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  • Master of None – If you’re not socialising with your family, and have plenty of time in your hands this weekend, why not cosy up with the entire first season of Aziz Ansari’s comedy for all seasons? It’s one the most relatable shows I’ve watched on international television (and not just because Ansari hails from Tamil Nadu), and the perfect candidate for marathon viewing.

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  • Quantico – This is right on top of my list of unexpected favourites. I didn’t want to like it, I watched it with great prejudice but eventually gave in to the racy screenplay and exaggerated drama. The show is addictive, and Priyanka Chopra has made an assured debut into American television and proved that she is a bonafide star. The penultimate episode before the season finale, and the season finale itself were a tad frustrating and I’m hoping (against hope) that it sorts itself out when it comes back next year. {Star World}

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  • The Affair – One often talks about “mindless television” – The Affair is the opposite. It demands your attention in a manner that is unforgiving, and if you blink, you miss. The Affair follows a story of infidelity narrated through different perspectives, none of which are objective, and leaves it to the viewer to be the judge. I’m a chronic multi-tasker, but The Affair ensured that my attention only belonged to the screen. {FX India}

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  • Mr. Robot – A terrific and well researched show that goes into the psyche and life of hackers. Given the rising coverage with respect to the hacking group “Anonymous” in the mainstream news, Mr. Robot is an excellent way to better understand hacking, and how the right information in the wrong hands could potentially break the world as we know it. {Colors Infinity}

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  • Modern Family – It’s not from 2015, technically, but I have been watching it religiously, all year. I could never tire of this show, or it’s characters, and I am yet to find an episode I haven’t guffawed out loud in. A perennial favourite to end the list! {Star World}

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It’s All Good

{First Published in The Hindu Metroplus}

When the TV phenomenon Friends came to an end, I was devastated, and I missed it terribly. It was this devastation coupled with the free time that one gets while waiting for exam results that led me to watching Joey, the Friends spin-off that picked the life of Joey Tribbiani (Matt LeBlanc) up from where Friends left off. I was quite excited for the show, given that Joey was my favourite character in Friends, but hardly a few episodes in, I found myself wishing that I had just stuck to watching reruns.

A spin-off more or less ruins the original show for me. There is something so unimaginative and bland about them, and watching a spin off when there’s plenty of fresh content on television otherwise, feels like a criminal waste of time. Naturally, when Better Call Saul, the spin off to Breaking Bad was announced, I had neither had expectations from it (despite the fact that it was going to be directed by Vince Gilligan himself), nor any intention to watch it. Then, one very dull evening, I gave in to Better Call Saul.

better call saul, vince gilligan

The show’s undercurrent is the same as Breaking Bad’s – good men in a bad world. In Breaking Bad, Walter White, a chemistry teacher who gets cancer, turns to drugs to support his family. We saw him make his way through it all, not knowing exactly how things would turn out in the end. In Better Call Saul, however, there is no suspense because it is a prequel, and the story of how Jimmy McGill (Bob Odenkirk), a small time defence attorney, ended up becoming the despicable and widely hated lawyer from Breaking Bad.

Jimmy McGill, a one time scam artist, is now a struggling defence attorney who works out of a makeshift office housed in an Asian salon. He defends a variety of criminals, from drunk drivers to men who commit armed robberies to students who decapitate a head off a cadaver in the biology lab because they thought it was fun. After one particularly trying day, he goes back to his scamming roots to procure a client, only to get caught in the middle of a vicious drug circle ruled by a brutal overlord. Walter White and Jimmy McGill are both men who were pushed to the corner by circumstance, men who had no choice, but the difference between them is that Jimmy is a natural fraud who has to try really, really hard to be good.

Unlike Breaking Bad, whose slow, tedious first season nearly made me give up on the show, Better Call Saul is interesting right from the start. You want to know Jimmy better, you want to know why his brother walks around wearing a blanket made of aluminium foil, and you want to know what happened between him and his ex-girlfriend who he still has a soft spot for. The characters in Better Call Saul are also very oddball, and very original. In many ways, it’s unfair to call Better Call Saul a spin off to Breaking Bad – I would call it a companion show because although there is some reminiscence to Breaking Bad here and there, it stands on its own. Vince Gilligan hasn’t just taken a hit show and spawn something new, he’s also made sure that it wouldn’t be overshadowed by its predecessor.

There are ten episodes in the first season, where each episode is about forty five minutes long. Should you watch it? If you are already a fan of Breaking Bad, then it’s easy – you will thoroughly enjoy Better Call Saul. If you haven’t watched Breaking Bad, I would recommend Better Call Saul anyway. It’s interesting, it’s funny, it’s dark, and it’s unlike anything else on television right now.

{Better Call Saul is presently being telecast on Colors Infinity}